Showing posts with label Chavez Ravine. Show all posts
Showing posts with label Chavez Ravine. Show all posts

Monday, March 15, 2010

Zoot Suit Riot


The Zoot Suit should probably fall under the category of “I was supposed to be Mexican” rather than “I am supposed to be Mexican” but it carries a certain relevance because it is a huge part of Mexican-American history that I have alluded to in other posts. Zoot suits are basically just like any other suit, characterized by a jacket, trousers, sometimes a vest, and often worn with a nice woven shirt and topped off with a hat, often a felt hat or a fedora, and finished off with a gold chain and pointy leather shoes. There is the play, Zoot Suit, which was turned into a film starring Edward James Olmos (see: American Me; see: Stand and Deliver) about the Zoot Suit Riots that took place in Los Angeles during World War II.

The zoot suit, or traje pachuco, was co-opted by Mexican youths from the black community. Black celebrities like Cab Calloway and various jazz musicians during the Harlem Renaissance wore the suits, which they called “drapes,” were aptly characterized by a young Malcom X: “a killer-diller coat with a drape shape, reet pleats, and and shoulders padded like a lunatic’s cell.” A variation of the suit was also worn in 1930s England by teenagers who called themselves “Teddy boys”. Their zoot suits were often brightly colored and had velvet lapels to which all I can say is… well, just leave it to the British to do something like that.

Pachuco’s adopted the style and to this day maintains an influence in Mexican culture in America, particularly in Southern California. Those who “lean like a cholo” do so because the original pachucos leaned back to maintain those pleats in their slacks. The late 90s saw a brief mainstream revival of the style and attitude, again centered in Los Angeles, during what has been called the swing revival/cocktail movement when big bands and swing music were again en vogue; Swingers is a great example of the era. The origin of the name “Zoot Suit” is probably from the hard “s” sound that native Spanish speakers might use when pronouncing the word “suit” in English and thus is simply the same word repeated twice, once with a heavy Spanish accent and once without.

Dodger Stadium sits on Chavez Ravine where many Mexican immigrants used to reside. During the Great Depression there was already a great deal of racial tension as many Americans felt that these immigrants were taking jobs away from them. I’m glad to see that we’ve come so far since then. Outside of Mexico, Los Angeles had the highest concentration of Mexicans, and most of them were relegated to the poorest areas and because of discrimination and propaganda were seen as invading outsiders and were forced to work for very low wages. Just like every oppressed culture before and since, these Mexicans created and preserved their own culture- style, dance, language, and dress, which for the youths was all about the zoot suit. Beyond that there were a couple of events that brought Los Angeles to the boiling point.

In 1942 nine men were accused of murdering Jose Diaz at Sleepy Lagoon. This is the story that is the focus of the play, Zoot Suit. During the trial, in order to prevent the defendants from “misleading the witnesses,” none of them were permitted to wash or cut their hair or change their clothes. The nine were convicted and sentenced to long prison sentences though eventually each conviction was overturned. Of course this is the very short version of the case and I highly recommend everyone to take a deeper look into this very interesting case.

The second incident occurred on May 30, 1943. Many military personnel were stationed in Southern California, most of them on their way to the war in the Pacific. No one knows who threw the first punch but there was an altercation between some sailors and some pachucos that led to the start of the riots four days later. June 3, 1943 a group of sailors again got into a fracas with a group of pachucos, this time the sailors claimed they had been jumped, and with this last straw the LAPD jumped into the fray. Hundreds of servicemen and both on and off-duty police officers jumped into pick-ups and taxi cabs and went around beating up and arresting anyone and everyone who looked Mexican or was wearing a zoot suit. Zoot suits were torn off of whoever was wearing them and burned in the street. At this, the Zoot Suits decided to fight back and for the next several days were the Zoot Suit Riots.

More than 150 people were injured and 500 “latinos” were arrested, charged with everything from vagrancy to rioting. The local press extolled the attacks by the servicemen for the cleansing effect of their attacks. Zoot suits were banned by a city ordinance. The press called it a suppression of criminal acts by the Mexican community. When First Lady Eleanor Roosevelt called them what they were, race-riots resulting from long term discrimination against Mexican-Americans, the Los Angeles Times wrote a scathing editorial, accusing Mrs. Roosevelt of having communist ties and stirring up race discord.

Eventually, like powdered wigs and cravats, zoot suits simply fell out of fashion. They are still worn from time to time by pachucos and vatos who want to dress up. And shops like El Pachuco in Fullerton provide a wide array of colors and accessories. But clearly the zoot suit was more than just a mode of fashion, at least for a time. Zoot suits were a marker of rebellion to some, and an indicator of identity to others. Whether it was worn to provoke or inspire is regardless of the fact that they are some sharp looking suits.

If a bunch of guys from the city want to be hoodlums or thugs, join a gang or cause trouble, or just be part of a scene, there really isn’t much I can do affect that. But I’ve got to tell you, I would much rather see a bunch of guys hanging around in suits, even if they are ill-fitting suits, than pants that could house several animals, and prints in which a clown would feel silly. At least you can respect someone who takes pride in how they dress.

Tuesday, March 9, 2010

El Cholo

If you’ve lived in, visited, or even just driven through East LA, you’ve probably seen a cholo. Cholo culture has many aspects and variations on the style. Sometimes a cholo will have a shaved head. Or he might have a long black mane pulled back in a tight ponytail. A mustache is not uncommon. Various tattoos may adorn the cholo’s body, usually in tribute to Nuestra Senora, the Raiders, his own last name, or a picture of his heina. Baggy clothes are also the norm but the style of loose fitting clothing is quite different from the urban hip-hop scene. When a vato wants to look good, he doesn’t look for baggier clothing and shiny, plastic bling. No, the vato is more likely to use some extra Tres Flores in his hair, make sure his mustache is trimmed, and while the clothes may still be oversized, he’ll want to look sharp which means pressed trousers, clean shoes, a starched shirt with suspenders, and a small gold chain that is visible when the vato leans back and looks out at the world before him. Casual wear consists of khaki chinos or very long shorts, Dickies that reach to or below the mid-calf, a white t-shirt or tank top, and on top of that maybe a long sleeve shirt that is only buttoned at the top. You can find him in a low-rider Chevy or Cadillac, on a low-rider bicycle, or kicking rocks. A bandana over the forehead, low to the eyes is typical as well, as is a hairnet, but of course not both at the same time. Plaid flannel jackets come out when the weather gets cold. Oh yeah, and knee-high white tube socks. Can’t forget the socks.

Cholo style is heavily associated with gang culture and this association is not unfounded. I’ve got a few primos who got into their fair share of trouble coming up in East LA. Luckily my parents had the drive and ability to see to it that their progeny did not grow up calling one another “ese”. Despite the bad seeds who might ruin a party, these are the guys with tear-drop tattoos and a big black 13 on their chest, there is some overlap with legitimate styles and cultures like the low-rider scene, various styles of art including graffiti art like Chaka and the tattoo art of the Mister Cartoon. A great example of how these characteristics merge with various aspects of black culture and Caucasian “style” would be to take a look at the Long Beach Dub scene that was enormously popular in the west coast during the late 1990s. But for a good, hard look at how the Mexican street gang culture has pervaded a segment of society, watch the 1993 film Blood In, Blood Out (Bound By Honor) or American Me from 1992.

The etymology of the term “cholo” is somewhat ambiguous and the way I am defining it is exclusive to the southwest, Southern California in particular. Anywhere else the term is used it is generally meant to refer to indigenous peoples, those of mixed race, and in its first written usage going back to the early 1600s was synonymous with “mulatto”. During the ethnic power movements of the 1960s the term was used as a point of pride but in general the title has negative connotations. Prior to that, the cholo scene seems to have evolved out of the pachuco fashion from the 1940s. I’ll spend some time on the Zoot Suit in the future, but this appears to be the starting point for what would become cholos. This is why the fancier cholos will wear the creased pants and may go for the fedora over the bandana from time to time.

Cholos like to drink and smoke (it’s not all Cheech and Chong but that is the ideal). If they are in a gang or rely on the streets to survive then it isn’t likely that they have finished high school- these are of course generalizations and not hard and fast rules. As such they will have their own localized method of speech, a spanglish all its own. This isn’t the typical spanglish where one might say carro instead of coche, or always answer with “que” when “mande usted” would be more appropriate. No, this is more like saying “watcha,” or “trucha”. They’ve also got a penchant for mariachi music though everyone has always got their own taste, from hip-hop to reggae and rock. And of course, there are the women, the cholas.

Oh, the cholas. A cholo likes a girl whose hair looks wet but when you touch it, it’s crunchy. Dark lipstick, eyebrows that were drawn in with pencil (or a Sharpie marker), and clothing not terribly dissimilar to their male counterparts; these styles have actually found their way into the mainstream as they have at times been picked up by pop stars like Gwen Stefani, Fergie, and Kat Von D. Typically the cholas are girlfriends or sisters of cholos but they have been known to be some pretty rough and tumble chicas in their own right.

So what do you do if you run on to a cholo or group of cholos? For the most part, just like anyone else you pass by on the street if you ignore them they will ignore you. But if by chance they want to engage in scintillating conversation they are likely to ask you where you are from. They are not planning a trip soon, nor are they eager to exchange pleasantries about the subtle differences from one sociological sample to the next. If a cholo asks you where you’re from your reply should always be “Nowhere. I’m from nowhere”. Just wanted to give you a heads up on that one. In the event you believe you will be deep in cholo territory for any extended period of time you may want to have some Raiders gear on or near you at all times so that a) they may take you for one of them, or b) you can give it as a peace offering or use it to distract them while you pull the knife out of your leg.

Also, don’t let their love of all things Raiders fool you into thinking you can have a chat with them about the NFL. You must never talk to them about football in any greater depth than by simply saying you love the Raiders. This is for two reasons: the Raiders suck and haven’t had a winning season in nearly a decade, and despite their professed adoration for them, cholos don’t know shit about the Raiders other than the colors and the logos.

Also, do not confuse the cholos I've described here with the Los Angeles and La Habra restuarant, El Cholo, which serves a delightful deep fried ice-cream.

Tuesday, October 6, 2009

The Dodgers

I have many fond childhood memories of Dodger games. I was never a big baseball fan growing up. Even now I have trouble calling it a sport where the only two options for a player are to be either an overweight, overpaid lump that parks himself in some corner of the field, or to be some roided out, overpaid mutant. Either way, going Dodger games was never about the game.

It was about the food.

You go for the Dodger Dog (grilled, not steamed), peanuts, Carnation Ice-milk, sneaking a taste of dad’s beer etc… This was years ago when the menu was much more concise. Last time I went to a game there were personal pizzas, King Taco, Krispy Kreme, and now there’s probably sushi and rack of lamb. In any event, the game was always incidental to the occasion. Dodgers games are an inexpensive and local opportunity for Mexicans to get the family and friends together without having to entertain one another. No one needs to kill a pig or spend the entire night prior making tamales. Clean up is handled by a third party and because of the price of beer it’s rare that your dad and your tio will get too drunk and end up getting in a fight.

Mexicans have a complicated relationship with the Dodgers. Dodger Stadium stands in Chavez Ravine, which years ago was a community of Mexican immigrants. For decades the city and developers wanted the land and were willing to do just about anything to get it short of paying the tenants anything close to what the land was worth. There is plenty of literature about the Battle of Chavez Ravine but for a great comprehensive history of Southern California I would look to a book by Carey McWilliams called Southern California: An Island on the Land. Chavez Ravine is also a significant locale that is associated with the Zoot Suit Riots. In the end the Mexican community was forced to relocate and Dodger Stadium was erected.

Not the type of people to hold a grudge, plenty of Mexicans make it out to Dodger games and help make every home opener a sell-out. Much of that capacity crowd is found in the Pavilion.
The Pavilion makes up the seating behind the outfield and since these tickets have always been relatively inexpensive (currently $13) they attract a crowd looking for a value. If you’ve got five kids and ten nieces and nephews fresh out of catechism, this probably applies to you. As such, the patrons of this seating area tend to get a little rambunctious which is why they stopped selling beer there for quite some time. Now, on certain game days, you can get a ticket for $30 that comes with all you can eat hot dogs, nachos, cokes, water and peanuts. You still have to buy the beer. In my personal opinion I think it’s great that you can still get into a ballgame anywhere for just $9- that’s for a seat in the nosebleeds purchased at least a day ahead of time, and this is at the third oldest ballpark in the Major League.

I also do not want to fail to mention the incredible contribution of famed Mexican Dodger pitcher Fernando Valenzuela. He was known for his wicked screw-ball and is the only pitcher to have won both Rookie of the Year and the Cy Young award ushering in an era of Fernandomania. He helped the Dodgers clinch the 1981 World Series and went on to set a number of records. Fernando "El Toro" Valenzuela went on to play for other teams in other ballparks but he became a legend playing at Dodger Stadium.

After the game everyone piles into the car, maybe you fill up at the 76 station in back of the parking lot and ride the slow wave of traffic back onto the 101 freeway. If you were smart you hit up Phillipe’s for a French dip sandwich before the game. And if you’re brave you’ll stop by the Original Tommy’s on W Beverly on the way home.