Tuesday, March 23, 2010

Loteria!

There is a reason Bingo is typically played by senior citizens in the rec-room of a church on Saturday afternoons. It’s boring. You sit around with your marker or checks and your squares of cardboard with numbers scattered randomly over it. Someone up at the front of the room tumbles a container of numbered ping pong balls and drones out a new number every few moments. You sit and wait. You sit and stare, listening for the chance to mark a number on your square, passing the time, letting it float away while you engage in an activity just captivating enough to keep you from falling asleep… Someone gets five numbers in a row or column or angle and then you start it all over again as you wait out the last remaining moments of your life that comes in between your nightly, blissful release of sleep. Bingo is depressing.

But it doesn’t have to be! Imagine if instead of calling a number like B-12, the person drawing recited a poem. Your card, rather than a grid of numbers resembling an Excel spreadsheet, is full of colorful drawings so familiar that they have become iconic representations that you now find on t-shirts and posters. Imagine if Bingo were fun! This is the game of Loteria.

The basic premise of the game is exactly like Bingo. You get a card with a 4x4 grid of colorful drawings of items, people and animals. Rather than pulling ping-pong balls out of a bucket there is a deck of cards that corresponds to the pictures on your board. And just like its boring, American counterpart, the goal is to get a row or a column or an angle across the board. Oh yeah, and rather than using a marker or a check, my family always uses pinto beans to mark our progress but you can also use bottle caps or little rocks or anything you like.

Loteria is Spanish for lottery and the first games of this type came over from Spain in the 1700s. At first they were hobbies of the wealthy but eventually they found their way in local fairs and parties. Different companies and artists have over time put their own spin on the characters and the cards, just as has been done with playing cards for poker or variations on the Monopoly board game. However, the most popular and enduring set, the Loteria game that EVERYONE has and plays and is familiar with is made by Pasatiempos Gallo, SA de CV (known as Don Clemente Inc in America). They have been producing the game since 1887.

When playing, rather than just naming the item or character on the card that has been drawn, it is not uncommon for the speaker to use a riddle or poem to describe it. For instance, the poem associate with El Borracho, The Drunk goes:

¡Ah, qué borracho tan necio, ya no lo puedo aguantar!
Oh, what a foolish drunk, I can no longer stand him!

For El Violoncello:

Creciendo se fue hasta el cielo, y como no fue violín, tuvo que ser violoncello.
He rose up to the heavens, and since there was no violin, he had to play the cello


These are not the most profound little sayings, but they’re fun and can be improvised in any way.

Loteria is a fun and simple game where all of my cousins can play together on Christmas or Thanksgiving. This is not so with the Wii where we can only play four at a time at best. No, no, we need something that can get around ten people of all ages, all at once. You can also mix it up by betting on which card will be drawn, playing several boards at once, and of course, making it into a drinking game. Mexicans typically don’t need a game to drink but I guess for those of you who aren’t Mexican (and just supposed to be) you can add this to your themed party along with a piñata and a sombreros next to the margarita machine. Though if you really want to make your party authentic, kill a pig in the morning and make some delicious carnitas in the evening… I dare you. Oh yeah, and save the blood for cooking.

Monday, March 15, 2010

Zoot Suit Riot


The Zoot Suit should probably fall under the category of “I was supposed to be Mexican” rather than “I am supposed to be Mexican” but it carries a certain relevance because it is a huge part of Mexican-American history that I have alluded to in other posts. Zoot suits are basically just like any other suit, characterized by a jacket, trousers, sometimes a vest, and often worn with a nice woven shirt and topped off with a hat, often a felt hat or a fedora, and finished off with a gold chain and pointy leather shoes. There is the play, Zoot Suit, which was turned into a film starring Edward James Olmos (see: American Me; see: Stand and Deliver) about the Zoot Suit Riots that took place in Los Angeles during World War II.

The zoot suit, or traje pachuco, was co-opted by Mexican youths from the black community. Black celebrities like Cab Calloway and various jazz musicians during the Harlem Renaissance wore the suits, which they called “drapes,” were aptly characterized by a young Malcom X: “a killer-diller coat with a drape shape, reet pleats, and and shoulders padded like a lunatic’s cell.” A variation of the suit was also worn in 1930s England by teenagers who called themselves “Teddy boys”. Their zoot suits were often brightly colored and had velvet lapels to which all I can say is… well, just leave it to the British to do something like that.

Pachuco’s adopted the style and to this day maintains an influence in Mexican culture in America, particularly in Southern California. Those who “lean like a cholo” do so because the original pachucos leaned back to maintain those pleats in their slacks. The late 90s saw a brief mainstream revival of the style and attitude, again centered in Los Angeles, during what has been called the swing revival/cocktail movement when big bands and swing music were again en vogue; Swingers is a great example of the era. The origin of the name “Zoot Suit” is probably from the hard “s” sound that native Spanish speakers might use when pronouncing the word “suit” in English and thus is simply the same word repeated twice, once with a heavy Spanish accent and once without.

Dodger Stadium sits on Chavez Ravine where many Mexican immigrants used to reside. During the Great Depression there was already a great deal of racial tension as many Americans felt that these immigrants were taking jobs away from them. I’m glad to see that we’ve come so far since then. Outside of Mexico, Los Angeles had the highest concentration of Mexicans, and most of them were relegated to the poorest areas and because of discrimination and propaganda were seen as invading outsiders and were forced to work for very low wages. Just like every oppressed culture before and since, these Mexicans created and preserved their own culture- style, dance, language, and dress, which for the youths was all about the zoot suit. Beyond that there were a couple of events that brought Los Angeles to the boiling point.

In 1942 nine men were accused of murdering Jose Diaz at Sleepy Lagoon. This is the story that is the focus of the play, Zoot Suit. During the trial, in order to prevent the defendants from “misleading the witnesses,” none of them were permitted to wash or cut their hair or change their clothes. The nine were convicted and sentenced to long prison sentences though eventually each conviction was overturned. Of course this is the very short version of the case and I highly recommend everyone to take a deeper look into this very interesting case.

The second incident occurred on May 30, 1943. Many military personnel were stationed in Southern California, most of them on their way to the war in the Pacific. No one knows who threw the first punch but there was an altercation between some sailors and some pachucos that led to the start of the riots four days later. June 3, 1943 a group of sailors again got into a fracas with a group of pachucos, this time the sailors claimed they had been jumped, and with this last straw the LAPD jumped into the fray. Hundreds of servicemen and both on and off-duty police officers jumped into pick-ups and taxi cabs and went around beating up and arresting anyone and everyone who looked Mexican or was wearing a zoot suit. Zoot suits were torn off of whoever was wearing them and burned in the street. At this, the Zoot Suits decided to fight back and for the next several days were the Zoot Suit Riots.

More than 150 people were injured and 500 “latinos” were arrested, charged with everything from vagrancy to rioting. The local press extolled the attacks by the servicemen for the cleansing effect of their attacks. Zoot suits were banned by a city ordinance. The press called it a suppression of criminal acts by the Mexican community. When First Lady Eleanor Roosevelt called them what they were, race-riots resulting from long term discrimination against Mexican-Americans, the Los Angeles Times wrote a scathing editorial, accusing Mrs. Roosevelt of having communist ties and stirring up race discord.

Eventually, like powdered wigs and cravats, zoot suits simply fell out of fashion. They are still worn from time to time by pachucos and vatos who want to dress up. And shops like El Pachuco in Fullerton provide a wide array of colors and accessories. But clearly the zoot suit was more than just a mode of fashion, at least for a time. Zoot suits were a marker of rebellion to some, and an indicator of identity to others. Whether it was worn to provoke or inspire is regardless of the fact that they are some sharp looking suits.

If a bunch of guys from the city want to be hoodlums or thugs, join a gang or cause trouble, or just be part of a scene, there really isn’t much I can do affect that. But I’ve got to tell you, I would much rather see a bunch of guys hanging around in suits, even if they are ill-fitting suits, than pants that could house several animals, and prints in which a clown would feel silly. At least you can respect someone who takes pride in how they dress.

Tuesday, March 9, 2010

El Cholo

If you’ve lived in, visited, or even just driven through East LA, you’ve probably seen a cholo. Cholo culture has many aspects and variations on the style. Sometimes a cholo will have a shaved head. Or he might have a long black mane pulled back in a tight ponytail. A mustache is not uncommon. Various tattoos may adorn the cholo’s body, usually in tribute to Nuestra Senora, the Raiders, his own last name, or a picture of his heina. Baggy clothes are also the norm but the style of loose fitting clothing is quite different from the urban hip-hop scene. When a vato wants to look good, he doesn’t look for baggier clothing and shiny, plastic bling. No, the vato is more likely to use some extra Tres Flores in his hair, make sure his mustache is trimmed, and while the clothes may still be oversized, he’ll want to look sharp which means pressed trousers, clean shoes, a starched shirt with suspenders, and a small gold chain that is visible when the vato leans back and looks out at the world before him. Casual wear consists of khaki chinos or very long shorts, Dickies that reach to or below the mid-calf, a white t-shirt or tank top, and on top of that maybe a long sleeve shirt that is only buttoned at the top. You can find him in a low-rider Chevy or Cadillac, on a low-rider bicycle, or kicking rocks. A bandana over the forehead, low to the eyes is typical as well, as is a hairnet, but of course not both at the same time. Plaid flannel jackets come out when the weather gets cold. Oh yeah, and knee-high white tube socks. Can’t forget the socks.

Cholo style is heavily associated with gang culture and this association is not unfounded. I’ve got a few primos who got into their fair share of trouble coming up in East LA. Luckily my parents had the drive and ability to see to it that their progeny did not grow up calling one another “ese”. Despite the bad seeds who might ruin a party, these are the guys with tear-drop tattoos and a big black 13 on their chest, there is some overlap with legitimate styles and cultures like the low-rider scene, various styles of art including graffiti art like Chaka and the tattoo art of the Mister Cartoon. A great example of how these characteristics merge with various aspects of black culture and Caucasian “style” would be to take a look at the Long Beach Dub scene that was enormously popular in the west coast during the late 1990s. But for a good, hard look at how the Mexican street gang culture has pervaded a segment of society, watch the 1993 film Blood In, Blood Out (Bound By Honor) or American Me from 1992.

The etymology of the term “cholo” is somewhat ambiguous and the way I am defining it is exclusive to the southwest, Southern California in particular. Anywhere else the term is used it is generally meant to refer to indigenous peoples, those of mixed race, and in its first written usage going back to the early 1600s was synonymous with “mulatto”. During the ethnic power movements of the 1960s the term was used as a point of pride but in general the title has negative connotations. Prior to that, the cholo scene seems to have evolved out of the pachuco fashion from the 1940s. I’ll spend some time on the Zoot Suit in the future, but this appears to be the starting point for what would become cholos. This is why the fancier cholos will wear the creased pants and may go for the fedora over the bandana from time to time.

Cholos like to drink and smoke (it’s not all Cheech and Chong but that is the ideal). If they are in a gang or rely on the streets to survive then it isn’t likely that they have finished high school- these are of course generalizations and not hard and fast rules. As such they will have their own localized method of speech, a spanglish all its own. This isn’t the typical spanglish where one might say carro instead of coche, or always answer with “que” when “mande usted” would be more appropriate. No, this is more like saying “watcha,” or “trucha”. They’ve also got a penchant for mariachi music though everyone has always got their own taste, from hip-hop to reggae and rock. And of course, there are the women, the cholas.

Oh, the cholas. A cholo likes a girl whose hair looks wet but when you touch it, it’s crunchy. Dark lipstick, eyebrows that were drawn in with pencil (or a Sharpie marker), and clothing not terribly dissimilar to their male counterparts; these styles have actually found their way into the mainstream as they have at times been picked up by pop stars like Gwen Stefani, Fergie, and Kat Von D. Typically the cholas are girlfriends or sisters of cholos but they have been known to be some pretty rough and tumble chicas in their own right.

So what do you do if you run on to a cholo or group of cholos? For the most part, just like anyone else you pass by on the street if you ignore them they will ignore you. But if by chance they want to engage in scintillating conversation they are likely to ask you where you are from. They are not planning a trip soon, nor are they eager to exchange pleasantries about the subtle differences from one sociological sample to the next. If a cholo asks you where you’re from your reply should always be “Nowhere. I’m from nowhere”. Just wanted to give you a heads up on that one. In the event you believe you will be deep in cholo territory for any extended period of time you may want to have some Raiders gear on or near you at all times so that a) they may take you for one of them, or b) you can give it as a peace offering or use it to distract them while you pull the knife out of your leg.

Also, don’t let their love of all things Raiders fool you into thinking you can have a chat with them about the NFL. You must never talk to them about football in any greater depth than by simply saying you love the Raiders. This is for two reasons: the Raiders suck and haven’t had a winning season in nearly a decade, and despite their professed adoration for them, cholos don’t know shit about the Raiders other than the colors and the logos.

Also, do not confuse the cholos I've described here with the Los Angeles and La Habra restuarant, El Cholo, which serves a delightful deep fried ice-cream.